50 Years Ago – The Beatles

A band named The Beatles made a bit of a splash here in the US.  Over the next month or so we will all be taken back to that time to relive the hysteria and enthusiasm created by the band that is as relevant today as they were 50 years ago.  Amazing!

On Feb. 9, 2014, CBS will mark the 50th anniversary of the Beatles‘ first appearance on ‘The Ed Sullivan Show’ in a big way.

According to ABC News Radio, the group’s milestone will be celebrated with a special, ‘The Night That Changed America: A Grammy Salute to the Beatles,’ which will feature appearances from Paul McCartney and Ringo Starr as well as John Lennon‘s and George Harrison‘s widows, Yoko Ono and Olivia Harrison. And if the latest rumors are correct, those are just a few of the famous names turning out to pay tribute.

Other reports also indicate that the show will include appearances by Justin TimberlakeLady GagaAdeleBruno MarsPink and Katy Perry, who will deliver new performances of the five songs the Beatles played on their ‘Ed Sullivan Show’ debut. Annie Lennox and Dave Stewart are slated to come together and perform once again as the Eurythmics.

Here is a video from the original Ed Sullivan show to get you started.  My guess is that you will see this many places over the next few weeks, so let this be the first of many 🙂  The video also eliminates the crowd noise so you can actually hear the performance.

Break out the vinyl.

Webman

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And in the End…..

“The love you take is equal to the love you make.”

The Beatles, Abbey Road

beatles

Beatle fans know that the last album released by the Beatles was “Let it Be“, but the last album recorded by the Beatles was “Abbey Road”  One of the top 10 albums of all time, recorded 43 years ago if you can believe that, Abbey Road is one of my favorite albums.  One of my three wonderful daughters is named Abbey.  Coincidence?  You make the call 🙂

After the near-disastrous sessions for the proposed Get Back album (later released as Let It Be), Paul McCartney suggested to music producer George Martin that the group get together and make an album “the way we used to”, free of the conflict that began following the death of Brian Epstein and carrying over to the sessions for the “White Album“. Martin agreed, stipulating that he must be allowed to do the album his way. This would be the last time the band would record with Martin.

The climax of the album is a 16-minute medley consisting of several short songs, both finished and unfinished, blended into a suite by McCartney and Martin.Most of the songs were written (and originally recorded in demo form) during sessions for The White Album and Get Back/Let It Be sessions.

“The End” is notable for featuring Starr’s only drum solo in the Beatles’ catalog.  Fifty-four seconds into the song are 18 bars of guitar solo: the first two bars are played by McCartney, the second two by Harrison, and the third two by Lennon, with the sequence repeating. Each has a distinctive style which McCartney felt reflected their personalities: McCartney’s playing is in a somewhat rigid staccato style; Harrison’s is melodic with pronounced string bends and Lennon’s is rhythmic, stinging and had the heaviest distortion. Immediately after Lennon’s third solo, the piano chords of the final part of the song begin. The song ends with the memorable final line, “And in the end, the love you take is equal to the love you make”.

“The End” takes up the last 2 minutes and 20 seconds of the masterful 16-minute medley that brings Abbey Road to a climax. http://www.youtube.com/watch?v=2pM3PVzDUCY

Enjoy the day and the weekend.

Webman

Layla

Thank you for reading my blog yesterday and for the outpouring of support for my daughter.  She had a very good day yesterday and we are looking forward to another great one today.

We are going back into the music archives for today’s blog.  One of my favorite songs of all time in Layla, by Derek and the Dominos.  Every time this song comes on I just crank up the volume and think about how awesome it would have been to see both Eric Clapton and Duane Allman play guitar together for this one; and of course the incredible piano piece by Jim Gordon.  (I do not play the piano but if I could that is the one piece that I would try to play because I think it is just awesome.)

What’ll you do when you get lonely
And nobody’s waiting by your side?
You’ve been running and hiding much too long.
You know it’s just your foolish pride.

Layla, you’ve got me on my knees.
Layla, I’m begging, darling please.
Layla, darling won’t you ease my worried mind.

I tried to give you consolation
When your old man had let you down.
Like a fool, I fell in love with you,
Turned my whole world upside down.

Layla, you’ve got me on my knees.
Layla, I’m begging, darling please.
Layla, darling won’t you ease my worried mind.

Let’s make the best of the situation
Before I finally go insane.
Please don’t say we’ll never find a way
And tell me all my love’s in vain.

Layla, you’ve got me on my knees.
Layla, I’m begging, darling please.
Layla, darling won’t you ease my worried mind.

Layla – Derek & The Dominos

I was always curious about how Layla came together.  So I thought I would do a little research to understand three questions about Layla?

  1. What drove Eric Clapton’s passion to write the song? (I knew the answer to this but will share with those that do not)
  2. How did Duane Allman get involved?
  3. How did Jim Gordon’s piano piece become part of the song?

Passion

In 1966 George Harrison married Pattie Boyd, a model he met during the filming of A Hard Day’s Night. During the late 1960s, Clapton and Harrison became close friends. Clapton contributed uncredited guitar work on Harrison’s song “While My Guitar Gently Weeps” on The BeatlesWhite Album, and Harrison co-wrote and played guitar pseudonymously (as L’Angelo Misterioso) on Cream‘s “Badge” from Goodbye. However, trouble was brewing for Clapton. Between his tenures in Cream and Blind Faith, in his words, “something else quite unexpected was happening: I was falling in love with Pattie.”

According to Boyd, Clapton played the song for her at a party, and later that same evening confessed to George that he was in love with his wife. The revelation caused no small upset among the three of them, but Pattie and George remained married for several more years, and Harrison and Clapton retained their close friendship with no apparent signs of damage.

Boyd divorced Harrison in 1974 and married Clapton in 1979 during a concert stop in Tucson, Arizona. Harrison was not bitter about the divorce and attended Clapton’s wedding party with Ringo Starr and Paul McCartney. During their relationship, Clapton wrote another love ballad for Pattie called “Wonderful Tonight” (1977). Clapton and Boyd divorced in 1989 after several years of separation.

Duane

I’m going to quote from a Duane Allman biography here about his joining the band….

A serendipitous event put guitar greats Eric Clapton and Duane Allman in contact shortly after the Dominos had begun to record at Criterion Studios in Miami, Florida, in August of 1970. Veteran producer Tom Dowd was behind the mixing board for the Allman Brothers second album, Idlewild South, when a phone call had come in indicating Clapton was bringing the Dominos to Miami to record. On hearing this Allman indicated he’d love to come by and watch, if it would be OK with Clapton.

A week or so after the Dominos arrived Allman called Dowd to let him know his band was in town to perform a benefit concert on the 26th. When Clapton learned of this from Dowd he insisted on going to see their show, saying, “You mean that guy who plays on the back of (Wilson Pickett’s) ‘Hey Jude’?…I want to see him play…Let’s go.” Clapton and company managed to sit in front of the barricade separating the audience from the stage. When they sat down, Allman was playing a solo. When he turned around and opened his eyes and saw Clapton, he froze. Dickey Betts, the Allmans’ other lead guitarist, took up where Duane left off, but when he followed Allman’s eyes to Clapton, he had to turn his back to keep from freezing himself.

After the show, Allman asked if he could come by the studio to watch some recording sessions, but Clapton invited him there directly: “Bring your guitar; you got to play!” Overnight, the two bonded; Dowd reported that they “were trading licks, they were swapping guitars, they were talking shop and information and having a ball – no holds barred, just admiration for each other’s technique and facility.” Clapton wrote later in his autobiography that he and Allman were inseparable during the sessions in Florida; he talked about Allman as the “musical brother I’d never had but wished I did.”

Jim Gordon

Clapton originally wrote “Layla” as a ballad, with lyrics describing his unrequited love for Pattie Boyd, but the song became a “rocker” when Allman reportedly helped compose the song’s signature riff. With the band assembled and Dowd producing, “Layla” was recorded in its original form. The recording consisted of six guitar tracks: a rhythm track by Clapton, three tracks of harmonies played by Clapton against the main riff, a track of slide guitar by Allman, and one track with both Allman and Clapton playing duplicate solos.

Shortly afterward, Clapton returned to the studio, where he heard Gordon playing a piano piece he had composed separately. Clapton, impressed by the piece, convinced Gordon to allow it to be used as part of the song.  “Layla’s” second movement was recorded roughly a week after the first, with Gordon playing his piano part, Clapton playing acoustic guitar and slide guitar, and Allman playing electric and bottleneck slide guitar.After Dowd spliced the two movements together, “Layla” was complete.

So there you have it.  A little deeper understanding of one of the greatest songs of all time.  Now, go to your iPod, iPhone or whatever holds your music, scroll to Layla and crank it up. Enjoy!

Webman